This is the cover of the most recent Imprint published by Grace Centre for the Arts, a ministry of Grace Toronto Church. After we began attending Grace Toronto in 2011, they released an issue of Imprint, and I remember being incredibly impressed. It was legit: the content, the photography, the design. I didn’t know that churches could produce real magazines. In my experience of church publishing, they were only good at lightweight evangelistic tracts, and even these were ordered by the case, not produced in-house. But I was to learn something about this new church we were attending, something that would prove invaluable to my own writing life. They valued art of all kinds. They even believed God valued it.
For a number of reasons, however, Imprint has not been published in recent years. I’m not sure of the exact timeline, although I know that people attending the church for less than four years have no memory of it. “Our church publishes a magazine?” has been a common response. Yes, we do. At least, yes, we have. The cover that you’re looking at is the cover to a special commemorative edition of Imprint for which I’ve had the privilege of serving as lead editor. As our church makes our new home in a recently renovated historic church in Toronto, we decided that it was time to do another edition of Imprint. I wanted to show you some of the content here because it’s gorgeous. I only wish that you could hold it in your hands because these pictures simply don’t do it justice.
I hope this might insire you to think about the artistic endeavors you could do in your church – to bless your congregation as well as your larger community. Because that really is the intent of Imprint: it’s a publication intended to be read by a much broader audience than the one that fills our pews on Sunday mornings. (If you attend Grace Toronto Church, Imprint will be available for purchase this Sunday before and after the service, as well as at our November 16th community event.)
This commemorative edition, called “Neighbours,” celebrates the new neighbourhood into which we moved and the people who live and work there. This beautifully illustrated map here was done by an artist who worships in our congregation, Julie Kraulis. As you’ll note, our new church (at the corner of Jarvis and Carlton streets) is at the intersection of a lot of different neighbourhoods. We included this map to situate our congregation to the actual place in which we’re rooting ourselves, especially as many of us don’t live in these neighbourhoods. These seem to be especially important questions for churches to ask: where are we? who lives here? how can we be a part of helping this neighbourhood flourish?
This essay features the story of one of our congregants receiving hospitality from a family in St. James Town. It very consciously opens the magazine by situating someone else in the position of hero: not the church, not a church member, but a neighbour. Elita concludes, “I was a recipient of generous hospitality. And I needed that welcome, if I every hope to be a neighbour myself.”
Another congregant, Wendy, interviewed an unsung hero of the neighbourhood, a dapper 76 year old whose life was changed by Jesus. Without Murray, the local Salvation Army would certainly struggle to minister to the people they do. “God has given me a lot of strength to get over a lot of rough roads. Some of them I made myself, some of them other people made, some of them, just life. I’d still be out in the gutter somewhere without God.”
Another feature in the magazine are three full-page neighbour portraits. This gives a small taste of a larger event we’re hosting On November 16th, when our church will open its doors to the community, and the entire main hall will feature portraits of local neighbours. As the director for Grace Centre for the Arts, Ian Cusson, writes, “The photo exhibit is a response to the question, ‘Who is my neighbour?’ Displayed throughout the gallery are images of people from the communities surrounding Old St Andrew’s. In our hyper, quick-paced city, we rarely take the time to see the people around us. The use of larger-than-life format in this display challenges us to stop and look, even to confront our unwillingness to find the beauty and diversity in the people we meet every day.”
Another congregant conducted interviews in order to feature the work of a local non-profit called The Children’s Book Bank, where young patrons can take home a free book after every visit. Sarah observes, “It is a small haven in which the modern world’s economy—where quality goods require payment of money—is replaced with the currency of grace.”
We had gracious permission from Christ and Pop Culture to republish a reflective piece by Martyn Wendell Jones on the furniture in God’s house. “The CEO and the homeless man alike may share a pew with a whole middle-class family in between. Like the Lord, pews do not play favourites.”
I’ve written a long feature piece on the history of the church building at the corner of Jarvis and Carlton streets, whose cornerstone was laid in 1876 and in which five congregations have now worshipped. It was a privilege to do this research and gift what I learned to others. (And after multiple trips to various archival centres and libraries, I finally tracked down the original 1876 architectural drawings for our building, which are included with the piece.)
The magazine ends with a reflective piece on the Parable of the Good Samaritan, and Season’s words are the last we read before closing the magazine. “In our longing for human connection, perhaps the greatest gift we can offer is one we all have—the gift of woundedness. Each of us takes our turn as the Samaritan and the wounded man on the side of the road, and we become neihbours as we allow ourselves to carry, and be carried, to safety.”
Our team of photographers, writers, designers, and editors gathered last week to hold Imprint in our hands for the first time and celebrate what God had done. As I told them then, I found such joy in this collaborative effort and perhaps even greater pride in it than my own two books. I think that’s because I experienced the pleasure of working in community, which is something that images the triune God of community. And truthfully, I love to see others using their gifts.